On the methods of price fluctuations analysis in the art market

Authors

  • Валерия Андреевна Колычева St. Petersburg State University, 7–9, Universitetskaya nab., St. Petersburg, 199034, Russian Federation https://orcid.org/0000-0003-0619-4523

DOI:

https://doi.org/10.21638/spbu05.2018.406

Abstract

The present article is devoted to the price fluctuations analysis of the one of the most (if not the most) difficulty describing modern markets, namely, the art market. This would be done on the example of the trading with artworks of three specially selected masters — Camille Pissarro, Paul Cezanne and Rene Magritte. Thus, this survey, first, has a monographic character in relation to the markets of the required artists, identifying (1) the variation features in the sales of their works; (2) the factors affecting average prices and turnover of the monuments of the masters; (3) the regularities of changes over time of the consumer demand for the creative heritage of Pissarro, Cezanne and Magritte. Secondly, proceeding from the logic connection within one operation of the monographic data about absolutely different (for the period of life, belonging to the stylistic direction, painting technique etc.) authors, the comparative analysis of the processes typical for a phenomenon of purchase and sale of their works is carried out. For this purpose, receptions and methods of variation, correlation, factorial and dynamic analyses are used. The study concludes with an attempt to forecast the expected trends in the three masters markets, which, in turn, cannot fail to affect the whole set of trade operations with art, otherwise, the art market in general. As a result, the presented work has in parallel scientific, theoretical and purely applied results. Some fill the treasury of a new branch of the statistical disciplines, which designation is logically forms into the term “art statistics”, introduced into scientific circulation by this article; others can be applied by collectors and investors for making business decisions.

Keywords:

methods, artists’ markets, price fluctuations, variation analysis, correlation analysis, factorial analysis, dynamic analysis, forecasting

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References

Литература на русском языке

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Translation of references in Russian into English

Ashenfelter O. C., Graddy K. Sale Rates and Price Movements in Art Auctions. National Bureau of Economic Research Working Paper, 2011, no. 16743, pp. 1–13.

Ashenfelter O. How Auctions Work for Wine and Art. Journal of Economic Perspectives, 1989, vol. 3, no. 3, pp. 23–36.

Ashenfelter O., Graddy K. Anatomy of the Rise and Fall of a Price-Fixing Conspiracy: Auctions at Sotheby’s and Christie’s. National Bureau of Economic Research Working Paper, 2004, no. 10795, pp. 1–26.

Ashenfelter O., Graddy K. Art Auctions: A Survey of Empirical Studies. National Bureau of Economic Research Working Paper, 2002, no. 8997, pp. 1–43.

Avtonomov Iu. V. Vzgliad na iskusstvo cherez prizmu ekonomicheskoi teorii. Spros na rynke izobrazitel’nogo iskusstva [A view of an art through a prism of the economic theory. Demand in the market of the fine arts]. Neprikosnovennyi zapas [Еmergency reserve], 2003, no. 6 (32), pp. 75–80. (In Russian)

Baumol W., Bowen W. Performing Arts: The Economic Dilemma. New York: The Twentieth Century Fund, 1966.

Baumol W.J. Unnatural Value: Or Art Investment as Floating Grap Game. American Economic Review, 1986, vol. 76, no. 2, pp. 10–14.

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Chanel O., Gerard-Varet L.-A., Ginsburgh V. The Relevance of Hedonic Price Indices. The Case of Paintings. Journal of Cultural Economics, 1996, vol. 20, no. 1, pp. 1–24.

Cheema A., Popkowski Leszczyc P. T. L., Bagchi R., Bagozzi R. P., Cox J. C., Dholakia U. M., Greenleaf E. A., Pazgal A., Rothkopf M. H., Shen M., Sunder S., Zeithammer R. Economics, Psychology and Social Dynamics of Consumer Bidding in Auctions. Marketing Letters, 2005, vol. 16, no. 3, pp. 401–413.

Christie’s. Available at: http://www.christies.com/ (accessed: 01.05.2018).

Cosmopolitan Canvases. The Globalization of Markets for Contemporary Art. Eds O. Veldhuis, S. B. Curioni. Oxford University Press, 2015.

De la Barre M., Docclo S., Ginsburgh V. Returns of Impressionist, Modern and Contemporary European Paintings 1962–1991. Annales d’Economie et de Statistique, 1994, no. 35, pp. 143–181.

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Galenson D. W. Do the Young British Artists Rule (Or: Has London Stolen the Idea of Postmodern Art from New York?): Evidence from the Auction Market. National Bureau of Economic Research Working Paper, 2005, no. 11715, pp. 1–17.

Ginsburg V., Jeanfils P. Long-Term Comovements in International Market for Paintings. European Economic Review, 1995, vol. 39, no. 3–4, pp. 538–548.

Ginsburg V., Weyers S. Creativity and Life Cycles of Artists. Journal of Cultural Economics, 2006, vol. 30, no. 2, pp. 91–107.

Guerzoni G. Reflections on Historical Series of Art Prices: Reitlinger’s Data Revisited. Journal of Cultural Economics, 1995, vol. 19, no. 3, pp. 251–260.

Holub H. W., Hutter M., Tappeiner G. Light and Shadow in Price Computation. Journal of Cultural Economics, 1993, vol. 17, vol. 1, pp. 49–69.

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Locatelli Biey M., Zanola R. Investment in Painting: A Short-Run Price Index. Journal of Economics Perspectives, 1999, vol. 23, no. 3, pp. 211–222.

Mei J., Moses M. Art as an Investment and the Underperformance of Masterpieces. American Economic Review, 2002, vol. 92, no. 5, pp. 1656–1668.

Perloff H. S. Using the Arts to Improve Life in the City. Journal of Cultural Economics, 1979, vol. 3, no. 2, pp. 1–20.

Pesando J. E., Shum P. M. The Returns to Picasso’s Prints and to Traditional Financial Assets, 1977 to 1996. Journal of Cultural Economics, 1999, vol. 23, no. 3, pp. 183–192.

Pesando J. E., Shum P. M. The Law of One Price, Noise and “Irrational Exuberance”: The Auction Market for Picasso Prints. Journal of Cultural Economics, 2007, vol. 31, no. 4, pp. 263–277.

Rubinstein A., Baumol W., Baumol H. On the Economics of the Performing Arts in the Soviet Union and the USA: a Comparison of Data. Journal of Cultural Economics, 1992, vol. 16, no. 2, pp. 1–23 (a).

Rubinstein A., Baumol W., Baumol H. On the Economics of the Performing Arts in the USSR and the USA: A Preliminary Comparison of the Data. Eds Towse R., Khakee A. Cultural Economics. Springer, Berlin, Heidelberg, 1992 (b).

Rubinstein A. Y. Issues of Price and Subsidy in the Arts in The USSR. Journal of Cultural Economics, 1987, vol. 11, no. 2, pp. 65–83.

Sarkisiants A. Art-rynok i ego investitsionnyi potentsial [Art market and its investment potential]. Voprosy ekonomiki [Questions of economy], 2010, no. 7, pp. 65–78. (In Russian)

Schneider F., Pommerehne W. W. Analyzing the Market of Works of Contemporary Fine Arts: An Exploratory Study. Journal of Cultural Economics, 1983, vol. 7, no. 2, pp. 41–67.

Scitovsky T. Culture is a Good Thing: A Welfare-Economic Judgment. Journal of Cultural Economics, 1989, vol. 13, no. 1, pp. 1–16.

Scitovsky T. What’s Wrong with the Arts is What’s Wrong with Society. American Economic Review, 1972, vol. LXII, no. 2, pp. 62–69.

Singer L. P. Phenomenology and Economics of Art Markets: An Art Historical Perspective. Journal of Cultural Economics, 1988, vol. 12, no. 1, pp. 27–40.

Sotheby’s. Available at: http://www.sothebys.com/ (accessed: 01.05.2018).

Published

2019-02-11

How to Cite

Колычева, В. А. (2019). On the methods of price fluctuations analysis in the art market. St Petersburg University Journal of Economic Studies, 34(4), 591–618. https://doi.org/10.21638/spbu05.2018.406

Issue

Section

Finance, Investments and Accounting